This Drifting Excrement Was Far Too Symbolic! These Are the Television Disappointments of the Past Year.

Looking back, we reflect on the TV landscape of the recent year, a selection of shows emerge not for their excellence, but for their spectacular failures. Ranging from cringe-inducing spin-offs to confusingly poor documentaries, here are the programmes that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Burdened with woeful scripts, painful arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the final series began, it looked like it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator declared this would be the final series. It concluded on a bum note; the closeup of Miranda’s loo full of poo was simply too on-the-nose. Yet, viewers undeniably found joy dissecting every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this show's issues. The recipient of a very rare no-star review, it was hard to know where to start enumerating the flaws. The laughably leaden dialogue? The tedious glorification of wealth and materialism? The seemingly wilful parade of tropes? Performances so bad they felt almost spiteful? Let’s just say “all of the above” and never speak of this show again. However, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the restraining orders, abuse allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this three-part docuseries which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this show might induce should be saved for the people who have had to endure close contact with this charismatic but dismissive egotist.

The Iris Affair

Of course we knew it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

MobLand

Shady figures convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t suffer the ignominy of having to accommodate baffling accents. But there were many other problems. Primarily that it was just really boring; a dispute over drug-selling territory between various cockney picaresques which felt rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of the nation’s ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s televised forays into quaint homemaking as deliberate statements. But then you watch them and are forced to concede that in this case, they may have a point. It’s like watching a homeware magazine come to life; a poster for wine o’clock with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about both Victoria Beckham and her struggles with vocation, identity, self-worth. But for whatever reason, this three-part series chose not to explore them. Rather, the viewing was like reading a marketing brochure. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.

The Inheritance

It should have been the next big hit – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to emulate something far greater than it.

Too Much

How does one succeed a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the smart recruitment of talented emerging comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, somewhat mannered farce to inevitably, real-life horror. Twisted? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about secret services spying on – and eliminating – intellectuals frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for explicit escapades as she prepared for her most extreme challenge yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son away from the queue. What we got was horrific shots and zero critical analysis of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.

Cynthia Rodriguez
Cynthia Rodriguez

Elara Vance is a city planner and lifestyle writer with over a decade of experience covering urban development and cultural trends.